Jordan’s ability to feel everything so deeply is what previously made her feel like she was dying, but by the end of the album she shows it’s also what has given her the strength to move on with her life. Listen to Hakos Baelz - Bleeding Love MP3 Song from the movie Hololive Sings SkY - season - 1 free online. “Gotta grow up now, no I can’t keep holding on to you anymore,” she sings, while a subtle string arrangement creeps in like the first glimmers of sunlight after a storm. “Thought I’d see her when I died,” Jordan sings, briefly flirting with oblivion, “Filled the bath up with warm water, nothing on the other side.”īy the final song, “Mia,” though, Jordan will have begged, bargained, languished and at last begun to accept reality. Following the detection of a new Covid-19 variant, South Africa has once again seen widespread travel bans reinstituted against the country. “When did you start seeing her?” Jordan asks on the breathtaking “Headlock,” a perfect distillation of the step forward that “Valentine” represents in all aspects of Jordan’s songwriting: clear, direct language and wrenching melody used in the service of vivid emotional truths. What's up with travel bans imposed against South Africa Carl Wastie finds out.
Jordan’s lyrics are full of unanswered questions (“Isn’t it strange how it’s just over?”), and on a song like the acoustic reverie “Light Blue” she is not afraid to augment them with chords that, too, hang in the air unresolved. About Hakos Baelz - Bleeding Love Episode. She often sounds like she’s just been crying, or maybe still is, and “Valentine” gives off the overwhelming effect that you are listening to someone moving through feelings in real time - that the album itself is an immediate expression of raw, unprocessed grief.Īt one point when Jordan was growing up in Baltimore, Timony was her guitar teacher, and she seems to have inherited (and filtered through her own unique ear) Timony’s fascination with unusual chords and a certain husky grain in her voice.
Jordan’s voice has changed since “Lush” it’s become hoarse, feral and absolutely heartbreaking. “Sometimes I hate her just for not being you,” Jordan, now 22, admits on the slinky single “Ben Franklin,” a song that finds her feigning a blasé attitude but almost immediately folding and admitting that she’s a “sucker for the pain.” On the sharply affecting “Automate,” which lurches uneasily forward like someone fumbling for a light switch, Jordan paints a piercing picture with a few simple words: “Red lips, dark room, I pretend it’s you, but she kissed like she meant it.”
Just Announced Regina Spektor on Broadway. More explicitly than “Lush,” though, “Valentine” is unequivocally an album about women loving women - as well as women leaving women, and women occasionally trying to numb heartbreak via dalliances with rebound women. New version of You’ve Got Time from Orange Is the New Black is out now read more.